Born Guido di Pietro, Fra Angelico was an Early Italian Renaissance painter described by Vasari in his Lives of the Artists as having “a rare and perfect talent”. He was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole) and by Vasari as Fra Giovanni Angelico (Brother John the Angelic One).

Fra Angelico is known in Italy as il Beato Angelico, the term “Il Beato” (“Blessed One”) being already in use during his lifetime or shortly thereafter, in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, in recognition of the holiness of his life, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows as a Dominican friar, and was used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus—”Blessed Giovanni of Fiesole, nicknamed Angelico”.

Vasari wrote of Fra Angelico:  But it is impossible to bestow too much praise on this holy father, who was so humble and modest in all that he did and said and whose pictures were painted with such facility and piety.

Early life, 1395–1436

Fra Angelico was born Guido di Pietro at Rupecanina,^[7] in the Tuscan area of Mugello, near Fiesole towards the end of the 14th century and died in Rome in 1455. Nothing is known of his parents. He was baptized Guido or Guidolino. The earliest recorded document concerning Fra Angelico dates from October 17, 1417 when he joined a religious confraternity at the Carmine Church, still under the name of Guido di Pietro. This record also reveals that he was already a painter, a fact that is subsequently confirmed by two records of payment to Guido di Pietro in January and February 1418 for work done in the church of Santo Stefano del Ponte. The first record of Angelico as a friar dates from 1423, when he is first referred to as Fra Giovanni, following the custom of those entering a religious order of taking a new name. He was a member of the Dominican community at Fiesole. Fra, an abbreviation of frate (from the Latin frater), is a conventional title for a friar or brother.

According to Vasari, Fra Angelico initially received training as an illuminator, possibly working with his older brother Benedetto who was also a Dominican and an illuminator. San Marco in Florence holds several manuscripts that are thought to be entirely or partly by his hand. The painter Lorenzo Monaco may have contributed to his art training, and the influence of the Sienese school is discernible in his work. He had several important charges in the convents he lived in, but this did not limit his art, which very soon became famous. According to Vasari, the first paintings of this artist were an altarpiece and a painted screen for the Carthusian Monastery of Florence; none such exist there now.^[2]

From 1408 to 1418 Fra Angelico was at the Dominican friary of Cortona where he painted frescoes, now destroyed, in the Dominican Church and may have been assistant to or follower of Gherardo Starnina. Between 1418 and 1436 he was at the convent of Fiesole where he also executed a number of frescoes for the church, and the Altarpiece, deteriorated but restored. A predella of the Altarpiece remains intact in the National Gallery, London which is a superb example of Fra Angelico’s ability. It shows Christ in Glory, surrounded by more than 250 figures, including beatified Dominicans.

San Marco, Florence, 1436–1445

In 1436 Fra Angelico was one of a number of the friars from Fiesole who moved to the newly-built Friary of San Marco in Florence. This was an important move which put him in the centre of artistic activity of the region and brought about the patronage of one of the wealthiest and most powerful members of the city’s Signoria, Cosimo de’ Medici, who had a large cell (later occupied by Savonarola) reserved for himself at the friary in order that he might retreat from the world. It was, according to Vasari, at Cosimo’s urging that Fra Angelico set about the task of decorating the monastery, including the magnificent Chapter House fresco, the often-reproduced Annunciation at the top of the stairs to the cells, the Maesta with Saints and the many smaller devotional frescoes depicting aspects of the Life of Christ that adorn the walls of each cell.

In 1439 he completed one of his most famous works, the Altarpiece for St. Marco’s, Florence. The result was unusual for its times. Images of the enthroned Madonna and Child surrounded by saints were common, but they usually depicted a setting that was clearly heavenlike, in which saints and angels hovered about as divine presences rather than people. But in this instance, the saints stand squarely within the space, grouped in a natural way as if they were able to converse about the shared experience of witnessing the Virgin in glory. Paintings such as this, known as Sacred Conversations, were to become the major commissions of Giovanni Bellini, Perugino and Raphael.

The Vatican, 1445–1455

In 1445 Pope Eugenius IV summoned him to Rome to paint the frescoes of the Chapel of the Holy Sacrament at St Peter’s, later demolished by Pope Paul III. Vasari claims that at this time Fra Angelico was offered by Pope Nicholas V the Archbishopric of Florence, and that he refused it, recommending another friar for the position. While the story seems possible and even likely, if Vasari’s date is correct, then the pope must have been Eugenius and not Nicholas. In 1447 Fra Angelico was in Orvieto with his pupil, Benozzo Gozzoli, executing works for the Cathedral. Among his other pupils were Zanobi Strozzi.

From 1447 to 1449 he was back at the Vatican, designing the frescoes for the Niccoline Chapel for Nicholas V. The scenes from the lives of the two martyred deacons of the Early Christian Church, St. Stephen and St. Lawrence may have been executed wholly or in part by assistants. The small chapel, with its brightly frescoed walls and gold leaf decorations gives the impression of a jewel box. From 1449 until 1452, Fra Angelico was back at his old convent of Fiesole, where he was the Prior.

Death and beatification

In 1455 Fra Angelico died while staying at a Dominican Convent in Rome, perhaps in order to work on Pope Nicholas’ Chapel. He was buried in the church of Santa Maria sopra Minerva.

When singing my praise, don’t liken my talents to those of Apelles.
Say, rather, that, in the name of Christ, I gave all I had to the poor.
The deeds that count on Earth are not the ones that count in Heaven.

I, Giovanni, am the flower of Tuscany.

—Translation of epitaph

Pope John Paul II beatified Fra Angelico on October 3, 1982 and in 1984 declared him patron of Catholic artists.

Angelico was reported to say “He who does Christ’s work must stay with Christ always”. This motto earned him the epithet “Blessed Angelico”, because of the perfect integrity of his life and the almost divine beauty of the images he painted, to a superlative extent those of the Blessed Virgin Mary.

—Pope John Paul II

From various accounts of Fra Angelico’s life, it is possible to gain some sense of why he was deserving of canonization. He led the devout and ascetic life of a Dominican friar, and never rose above that rank; he followed the dictates of the order in caring for the poor; he was always good-humored. All of his many paintings were of divine subjects, and it seems that he never altered or retouched them, perhaps from a religious conviction that, because his paintings were divinely inspired, they should retain their original form. He was wont to say that he who illustrates the acts of Christ should be with Christ. It is averred that he never handled a brush without fervent prayer and he wept when he painted a Crucifixion. The Last Judgment and the Annunciation were two of the subjects he most frequently treated.

—William Michael Rossetti

God has a mission for each of us and has given us the gifts to successfully complete the purpose for which He created us. Our job is to discern our role in His creation. The gifts He has given us can be the instrument of our damnation when used against His purposes; when we discern correctly through prayer and spiritual direction these same talents and abilities can sanctify us and those around us. It’s not too late to seek God’s will for your life–in fact, we should attempt to understand His will for our every action, each day, using all the gifts his has given us.

Peter Geremia was unusually gifted. He was sent early to the University of Bologna, where he passed his studies brilliantly, and attracted the attention and praise of all. On the brink of a successful career as a lawyer, he experienced a sudden and total conversion.

Having retired one night, he was pleasantly dreaming of the honors that would soon come to him in his work, when he heard a knock at the window. As his room was on the third floor, and there was nothing for a human to stand on outside his window, he sat up, in understandable fright, and asked who was there.

A hollow voice responded that he was a relative who had just died, a successful lawyer who had wanted human praise so badly that he had lied to win it, and now was eternally lost because of his pride. Peter was terrified, and acted at once upon the suggestion to turn, while there was still time, from the vanity of public acclaim. He went the next day to a locksmith and bought an iron chain, which he riveted tightly about him. He began praying seriously to know his vocation.

Soon thereafter, God made known to him that he should enter the Dominican Order. He did so as soon as possible. His new choice of vocation was a bitter blow to his father, who had gloried in his son’s achievements, hoping to see him become the most famous lawyer in Europe. He angrily journeyed to Bologna to see his son and demanded that he come home. The prior, trying to calm the excited man, finally agreed to call Peter. As the young man approached them, radiantly happy in his new life, the father’s heart was touched, and he gladly gave his blessing to the new undertaking.

Peter’s brilliant mind and great spiritual gifts found room for development in the order, and he became known as one of the finest preachers in Sicily. He was so well known that Saint Vincent Ferrer asked to see him, and they conversed happily on spiritual matters. He always preached in the open air, because there was no church large enough to hold the crowds that flocked to hear him.

Being prior of the abbey, Peter was consulted one day when there was no food for the community. He went down to the shore and asked a fisherman for a donation. He was rudely refused. Getting into a boat, he rowed out from the shore and made a sign to the fish; they broke the nets and followed him. Repenting of his bad manners, the fisherman apologized, whereupon Peter made another sign to the fish, sending them back into the nets again. The records say that the monastery was ever afterwards supplied with fish.

Peter was sent as visitator to establish regular observance in the monasteries of Sicily. He was called to Florence by the pope to try healing the Greek schism. A union of the opposing groups was affected, though it did not last. Peter was offered a bishopric (and refused it) for his work in this matter.

At one time, when Peter was preaching at Catania, Mount Etna erupted and torrents of flame and lava flowed down on the city. The people cast themselves at his feet, begging him to save them. After preaching a brief and pointed sermon on repentance, Peter went into the nearby shrine of Saint Agatha, removed the veil of the saint, which was there honored as a relic, and held it towards the approaching tide of destruction. The eruption ceased and the town was saved.

This and countless other miracles he performed caused him to be revered as a saint. He raised the dead to life, healed the crippled and the blind, and brought obstinate sinners to the feet of God. Only after his death was it known how severely he had punished his own body in memory of his youthful pride (Benedictines, Dorcy).

Born: Palermo, Sicily, Italy, in 1381

Died: March 7, 1432

Beatified: Pius VI confirmed cultus in 1784

At a time when scholars believed that no colloquial tongue could ever replace Latin as a gentleman’s language, Jordan worked to make Italian the beautiful tongue that it is today. That’s not the reason he was beatified by the Church but it’s interesting and sometimes overlooked.

Jordan attended the University of Paris where he first encountered the Dominican friars in 1276. Four years later, probably after obtaining his degrees, he returned to Italy and took the habit. He began a long teaching career there as soon as he was qualified to do so.

Because of the excellence of his preaching in Florence, Jordan was appointed first lector there in 1305. He seems to have been fascinated with the whole question of preaching as an apostolic tool, and to have been one of the first to make a scientific study of it. He pointed out that the Greek church was “invaded by a multitude of errors,” because the Greeks had no preachers; he could never say enough in praise of Saint Dominic’s farsightedness in establishing an order specifically for preaching.

Jordan studied methods of making sermons more effective, both by using examples that would reach the people, and by the use of the vernacular. This latter was a much-disputed subject in his day (they had Dan Amon’s then, too); Jordan was considered a daring innovator. Because it was controversial, he strove to make Italian a beautiful instrument on which he could play the melodies of the Lord.

Blessed with an extraordinary memory, Jordan is supposed to have known the breviary by heart, as well as the missal, most of the Bible (with its marginal commentary), plus the second part of the Summa. This faculty of memory he used in his sermons, but he was quick to point out to young preachers that learning alone can never make a preacher. By the holiness of his own life he made this plain, and continually preached it to those he was training to preach.

Jordan of Pisa had two great devotions–to Our Blessed Mother and to Saint Dominic. Once he was favored with a vision of Our Lady; she came into the fathers’ refectory and served at table. Jordan, who was the only one who could see her, could barely eat for excitement. He spoke often of her in his sermons, and also of Saint Dominic. He founded a number of confraternities in Pisa, one of which has lasted until now.

Jordan died on his way to Paris to teach at Saint Jacques. His body was returned from Piacenza, where death overtook him, to rest in the church at Pisa (Benedictines, Dorcy).

Born:1255 at Pisa, Italy

Died: August 19, 1311 at Piacenza of natural causes while on his way to teach in Paris; relics venerated at the church of Saint Catalina at Pisa, Italy

Beatified: August 23, 1833 (cultus confirmed) by Pope Gregory XVI; 1838 (beatification)

His father belonged to the noble family of Berg; his mother, a holy woman from whom he took his name, to a family of Sus (or Süs). When thirteen years of age he entered the Dominican convent at Constance, where he made his preparatory, philosophical, and theological studies.

From 1324 to 1327 he took a supplementary course in theology in the Dominican studium generale at Cologne, where he sat at the feet of Johann Eckhart, “the Master”, and probably at the side of Tauler, both celebrated mystics. Returning to Constance, he was appointed to the office of lector, from which he seems to have been removed some time between 1329 and 1334. In the latter year he began his apostolic career. About 1343 he was elected prior of a convent, probably at Diessenhofen. Five years later he was sent from Constance to Ulrn where he remained until his death.

Suso’s life as a mystic began in his eighteenth year, when giving up his careless habits of the five preceding years, he made himself “the Servant of the Eternal Wisdom”, which he identified with the Divine essence and, in a concrete form, with the personal Eternal Wisdom made man. Henceforth a burning love for the Eternal Wisdom dominated his thoughts and controlled his actions. He had frequent visions and ecstasies, practised severe austerities (which he prudently moderated in maturer years), and bore with rare patience corporal afflictions, bitter persecutions and grievous calumnies.

He became foremost among the Friends of God in the work of restoring religious observance in the cloisters. His influence was especially strong in many convents of women, particularly in the Dominican convent of Katherinenthal, a famous nursery of mysticism in the thirteenth and fourteenth centuries, and in that of Toss, where lived the mystic Elsbeth Stagel, who turned some of his Latin into German, collected and preserved most of his extant letters, and drew from him the history of his life which he himself afterwards developed and published.

In the world he was esteemed as a preacher, and was heard in the cities and towns of Swabia, Switzerland, Alsace, and the Netherlands. His apostolate, however, was not with the masses, but rather with individuals of all classes who were drawn to him by his singularly attractive personality, and to whom he became a personal director in the spiritual life.

It has often been incorrectly said that he established among the Friends of God a society which he called the Brotherhood of the Eternal Wisdom. The so-called Rule of the Brotherhood of the Eternal Wisdom is but a free translation of a chapter of his “Horologium Sapientiae”, and did not make its appearance until the fifteenth century.

HIS WRITINGS

The first writing from the pen of Suso was the “Büchlein der Wahrheit”, which he issued while a student at Cologne. Its doctrine was unfavourably criticized in some circles — very probably on account of its author’s close relations with Eckhart, who had just been called upon to explain or to reject certain propositions — but it was found to be entirely orthodox.

As in this, so in his other writings Suso, while betraying Eckhart’s influence, always avoided the errors of “the Master”. The book was really written in part against the pantheistic teachings of the Beghards, and against the libertine teachings of the Brethren of the Free Spirit. Father Denifle considers it the most difficult “little book” among the writings of the German mystics.

Whereas in this book Suso speaks as a contemplative and to the intellect, in his next, “Das Büchlein der ewigen Weisheit”, published early in 1328, he is eminently practical and speaks out of the fullness of his heart to “simple men who still have imperfections to be put off”. Bihlmeyer accepts Denifle’s judgment that it is the “most beautiful fruit of German mysticism”, and places it next to the “Homilies” of St. Bernard, and the “Imitation of Christ” by Thomas à Kempis. In the second half of the fourteenth and in the fifteenth century there was no more widely read meditation book m the German language.

In 1334 Suso translated this work into Latin, but in doing so added considerably to its contents, and made of it an almost entirely new book, to which he gave the name “Horologium Sapientiae”. Even more elevating than the original, finished in language, rich in figure, rhythmic in movement, it became a favourite book in the cloisters at the close of the Middle Ages, not only in Germany, but also in the Netherlands, France, Italy, and England.

To the same period of Suso’s literary activity may belong “Das Minnebüchlein” but its authenticity is doubtful.

After retiring to Ulm Suso wrote the story of his inner life (“Vita” or “Leben Seuses”), revised the “Büchlein der Wahrheit”, and the “Büchlein der ewigen Weisheit”, all of which, together with eleven of his letters (the “Briefbüchlein”), and a prologue, he formed into one book known as the “Exemplar Seuses”.

Suso is called by Wackernagel and others a “Minnesinger in prose and in the spiritual order.” The mutual love of God and man which is his principal theme gives warmth and colour to his style. He used the full and flexible Alamannian idiom with rare skill, and contributed much to the formation of good German prose, especially by giving new shades of meaning to words employed to describe inner sensations. His intellectual equipment was characteristic of the schoolmen of his age. In his doctrine there was never the least trace of an unorthodox tendency.

For centuries he exercised an influence upon spiritual writers. Among his readers and admirers were Thomas à Kempis and Bl. Peter Canisius.

The Catholic Encyclopedia, Volume VII
Nihil Obstat, June 1, 1910, Remy Lafort, S.T.D., Censor
Imprimatur. +John Cardinal Farley, Archbishop of Ne

Born: March 21, 1295 at Uberlingen, Germany as Heinrich von Berg

Died: January 25, 1361 at Ulm, Germany

Beatified: 1831 by Pope Gregory XVI

Representation: Dominican with the Holy Name on his chest

Works: Book of the Eternal Wisdom, The Thirst of God