According to the traditional story, Catherine was the daughter of Costus, a pagan governor of Alexandria, where she was born. She is said to have announced to her parents that she would only marry someone who surpassed her in beauty, intelligence, wealth, and social status. This has been interpreted as an early foreshadowing of her eventual discovery of Christ. “His beauty was more radiant than the shining of the sun, His wisdom governed all creation, His riches were spread throughout all the world.” Though raised a pagan, she converted to Christianity in her late teens. It is said that she visited her contemporary, the Roman Emperor Maximinus Daia, and attempted to convince him of the moral error in persecuting Christians. She succeeded in converting his wife, the Empress, and many pagan philosophers whom the Emperor sent to dispute with her, all of whom were subsequently martyred. Upon the failure of the Emperor to win Catherine over, he ordered her to be put in prison; and when the people who visited her converted, she was condemned to death on the breaking wheel, an instrument of torture. According to legend, the wheel itself broke when she touched it, so she was beheaded.

According to Christian tradition, angels carried her body to Mount Sinai, where, in the 6th century, the Eastern Emperor Justinian established Saint Catherine’s Monastery, Mount Sinai, the church being built between 548 and 565 in Saint Catherine, Egypt, on the Sinai peninsula. Saint Catherine’s Monastery survives, a famous repository of early Christian art, architecture and illuminated manuscripts that is still open to visiting scholars. The historian Harold T. Davis says that Catherine’s story dates only from the 10th century AD, and that “assiduous research has failed to identify Catherine with any historical personage”; Davis suggests that the invention of Catherine may have been inspired by the story of the martyred pagan philosopher Hypatia of Alexandria. She did certainly form an exemplary counterpart to Hypatia in the medieval mindset; and it has been suggested that she was invented specifically for that purpose. Like Hypatia, she is said to have been highly learned (in philosophy and theology), very beautiful, sexually pure, and to have been brutally murdered for publicly stating her beliefs. The story of Catherine is placed a hundred years before Hypatia’s death, but there are no contemporary sources for her life.

Because of the fabulous character of the account of her martyrdom and the lack of reliable documentation, the Roman Catholic Church in 1969 removed her feast day from the Calendar. But she continued to be commemorated in the Roman Martyrology on November 25. In 2002, her feast was restored to the General Roman Calendar as an optional memorial.

The 1908 Catholic Encyclopedia describes the historical importance of the belief in her as follows:

Ranked with St Margaret and St Barbara as one of the fourteen most helpful saints in heaven, she was unceasingly praised by preachers and sung by poets. It is believed that Jacques-Benigne Bossuet dedicated to her one of his most beautiful panegyrics and that Adam of St. Victor wrote a magnificent poem in her honour: Vox Sonora nostri chori, etc. In many places her feast was celebrated with the utmost solemnity, servile work being suppressed and the devotions being attended by great numbers of people. In several dioceses of France it was observed as a Holy Day of Obligation up to the beginning of the seventeenth century, the splendor of its ceremonial eclipsing that of the feasts of some of the Apostles. Numberless chapels were placed under her patronage and her statue was found in nearly all churches, representing her according to medieval iconography with a wheel, her instrument of torture. Meanwhile, owing to several circumstances in his life, Saint Nicholas of Myra was considered the patron of young bachelors and students, and Saint Catherine became the patroness of young maidens and female students. Looked upon as the holiest and most illustrious of the virgins of Christ after the Blessed Virgin Mary, it was natural that she, of all others, should be worthy to watch over the virgins of the cloister and the young women of the world. The spiked wheel having become emblematic of the saint, wheelwrights and mechanics placed themselves under her patronage. Finally, as according to tradition, she not only remained a virgin by governing her passions and conquered her executioners by wearying their patience, but triumphed in science by closing the mouths of sophists, her intercession was implored by theologians, apologists, pulpit orators, and philosophers. Before studying, writing, or preaching, they besought her to illumine their minds, guide their pens, and impart eloquence to their words. At the beginning of the fifteenth century, it was rumored that she had spoken to Joan of Arc and, together with St. Margaret, had been divinely appointed Joan’s adviser.

Blessed Lucy of Narni was the eldest of eleven children of Bartolomeo Broccadelli and Gentilina Cassio. When she was only five years old, she had a vision of the Virgin Mary. Two years later, she had another vision, this time of the Virgin Mary accompanied by Saint Dominic. Dominic is said to have given her the scapular at this time. When she was twelve years old, Lucy made a private vow of chastity, and determined to become a Dominican nun.

Circumstances, however, changed to make doing so difficult. The next year her father died, leaving her in the care of an uncle. This uncle determined that the best course of action he could take would be to get Lucy married as quickly as possible.

He made several attempts to do so. One of these included holding a large family party. He had invited the man he had chosen as Lucia’s husband to the party, with the intention of having the couple publicly betrothed. He however had not informed Lucia of his intentions. The suitor made an attempt to put a ring on Lucia’s finger, only to be slapped repeatedly for his efforts by Lucia.

A later attempt involved Count Pietro de Alessio of Milan, an acquaintance of the family. Lucia was actually quite fond of him, but felt her earlier vow to become a nun made the possibility of marriage impossible. The strain Lucia felt as a result of the conflicting feelings made her seriously ill. During this time, the Virgin Mary and Saint Dominic again appeared to her, this time accompanied by Catherine of Siena. They reportedly advised Lucia to contract a legal marriage to Pietro, but to explain that her vow of virginity would have to be respected and not violated. Pietro agreed to the terms, and the marriage was formalized.

In 1491 Lucia became Pietro’s legal wife and the mistress of his household, which included a number of servants and a busy social calendar. Despite her busy schedule, Lucia made great efforts to instruct the servants in Christianity and soon became well known locally for her charity to the poor.

Pietro observed Lucia’s behavior, and occasional quirks, quite indulgently. He never objected when she gave away clothing and food nor when she performed austere penances, which included regularly wearing a hair shirt under her garments and spending most of the night in prayer and acting to help the poor. He also seemed to have taken in stride the story he was told by the servants that Lucia was often visited in the evenings by Saint Catherine, Saint Agnes, and Saint Agnes of Montepulciano who helped her make bread for the poor.

However, when one of the servants came up to him one day and told him that Lucia was privately entertaining a handsome young man she appeared to be quite familiar with, he did react. He took up his sword and went to see who this person was. When he arrived, he found Lucia contemplating a large crucifix. The servant told him that the man he had seen Lucia with looked like the figure on the crucifix.

Lucia left one night for a local Franciscan monastic community, only to find it closed. She returned home the following day, stating that she had been led back by two saints. That was enough for Pietro. He had her locked away for the bulk of one Lenten season. She was only visited by servants who brought her food. When Easter arrived, however, she managed to escape from Pietro back to her mother’s house and on 1494 May 8 became a Dominican tertiary. Pietro expressed his disapproval of this in a rather dramatic form, by burning down the monastery of the prior who had given her the habit.

In 1495 Lucia went to Rome and joined a group of Third order Dominican tertiaries. The next year she was sent to Viterbo and here she found she was frequently the object of unwanted attention. It was here, on February 25, 1496 that she is reported to have received the stigmata. Lucia did her best to hide these marks, and was frequently in spiritual ecstasy. The house had a steady stream of visitors who came to speak to Lucia, and, often, just look at her. Even the other nuns were concerned about her, and at one point called in the local bishop who watched Lucia go through the drama of the Passion for twelve hours straight.

The bishop would not make a decision on Lucia, and called in the local inquisition. Reports here vary, some indicating that he referred the case directly to the Pope, who is said to have spoken with her and, with the assistance of Columba of Rieti, ultimately decided in her favor, telling her to go home and pray for him. Other sources question the accuracy of these reports.

At that time Pietro also came to her, making a final plea to persuade Lucia to return with him as his wife. She declined, and Pietro left alone. He would himself later become a Franciscan monk and a famous preacher.

When Lucy returned to the convent in Viterbo, she found that the Duke of Ferrara, Ercole d’Este I, had determined to build a convent in Ferrara and that, having heard of her, he determined that she would be its prioress. In summer of 1497, he invited her to be the founder of this new monastery. Lucia herself, the Dominican order, and the Pope all agreed quickly to the new proposal. The municipal council of Viterbo, however, objected, not wanting to lose Lucy. Lucia had been praying for some time for a way to create a new convent of strict observance, and agreed to go to the new convent.

Lucia’s departure precipitated a conflict between Ferrara and Viterbo which would continue for two years. Viterbo wanted to keep the famous mystic for themselves, and the duke wanted her in Ferrara. After extensive correspondence between the parties, on April 15, 1499 Lucia escaped secretly from Viterbo and was officially received in Ferrara on May 7, 1499. Thirteen young girls immediately applied for admission to her new community; the construction of the monastery began in June and was completed two years later, in August 1501. It contained 140 cells for sisters and the novices, but to fill it with suitable vocations proved to be very difficult. Lucia expressed the wish to have there some of her former friends from Viterbo and Narni. Duke Ercole, in September 1501 sent his messenger to Rome asking for the help of the pope’s daughter Lucrezia Borgia, who was preparing to marry Duke’s son Alfonso. She collected all eleven candidates Lucia had indicated and sent them, as a special wedding present to Lucia and to the Duke, a few days ahead of her bridal party. She herself solemnly entered Ferrara on February 2, 1502.

The Duke petitioned the local bishop for some help for Lucia in governing her new community, and he sent ten nuns from another community to join Lucia’s convent. Unfortunately, these ten nuns were members of the Dominican second order, who were canonically permitted to wear black veils, something Lucia and the members of the Dominican third order community were not allowed to do.

Tensions were heightened when one of these veiled outsiders, Sister Maria da Parma, was made the prioress of the convent on September 2, 1503. When Duke Ercole died on January 24, 1505 the new prioress quickly found Lucia to be guilty of some unrecorded transgression, most probably of the support for the Savonarolan church reform, and placed her on a strict penance. Lucia was not allowed to speak to any person but her confessor, who was chosen by the prioress. The local provincial of the Dominican order would also not permit any member of the order to see Lucia. There are records that at least one Dominican, Catherine of Racconigi, did visit her, evidently by bilocation, and that Lucia’s earlier visitation by departed saints continued. In response to Lucia’s insistent prayer her stigmata eventually disappeared, which caused some of the other nuns to question whether they had ever been there at all. When Lucia finally died, in 1544, many people were surprised to find that she had not died years earlier.

Then suddenly everything changed. When her body was laid out for burial so many people wanted to pay their last respects that her funeral had to be delayed by three days. Her tomb in the monastery church was opened four years later and her perfectly preserved body was transferred to a glass case. When Napoleon in 1797 suppressed her monastery the body was transferred to the Cathedral of Ferrara; and on 1935 May 26 – to the Cathedral of Narni.

Lucia was beatified by Pope Clement XI on March 1, 1710